And you may be able to hear people getting undressed in Omaha, NE.
They are getting ready for tonight’s performance of Lit Undressed: The Spirit of the Female Beats.
Your Humble Narrator, was lucky enough to be asked by the Group to write an original composition for the event. The piece, which appeared on this blog a month or two ago, was written about the strength of my mother and will be performed on stage this evening.
This is an honour for Your Narrator, as anytime someone requests me to write for them, I take it as the most high sort of compliment. The East Coast is a far fly from Omaha, so the author will not be able to see his work as it is read. It is very gratifying, though, to have the attention of such intellectual activists.
There is a reason for all of this, which is best spoken by Timothy Schaffert, Director and Founder of the Omaha Lit Fest. As he posted on the LU Facebook page:
With much respect to nude performance artistry such as Marina Abramovi, and performance poet Hedwig Gorski, Lit Undressed is a project combining nude performance with fiction reading with an emphasis on literature beyond the naked.
In September, in cooperation with (downtown) omaha lit fest, the first Lit Undressed performance ensued at RNG Gallery. “Undressed/Untold: A Body/Text Event” featured original fiction written by contemporary published authors, as well as excerpts from classic literature in reference to the body in some respect. The writings were read aloud by six male and female readers to a sold-out audience of 50. Selected readers were also adorned with body-text-paint.
When one reads a book, they are immersed into the atmosphere of the piece; not in their real-world anymore, not clothed or unclothed, not worrying about looks or happenings; simply naked in all senses. This project also hopes to encourage comfort with all body-types and forms.
“We at the (downtown) omaha lit fest are very intrigued with the project Sally Deskins has developed—the first of what I hope will be many events under her “Lit Undressed” title. Sally, an artist’s model, first approached me with an idea—she wanted to read literary works, naked, for an audience. She’d heard tell of such events in other cities, and wondered if it might work in Omaha.
Why not? Though the mayor of Omaha once run Gypsy Rose Lee out of town before she had a chance to fan even a single feather, that was more than seventy years ago.
I loved the idea of the silent artist’s model finally speaking. No longer would she (or he—Sally’s event includes men) stand still as a figure-lesson in a classroom, a series of shadows and lines inspiring another person’s art, but rather she’d become the art and artist herself, the storyteller, the centerpiece not just of our gaze and technical scrutiny, but of our attention, our interest, conveying emotion, ideas.
It eventually became clear, as the project developed, that Sally’s interests were in the tradition of any number of body-related art projects, from literature itself (in among works by contemporary authors, the artist’s models at the “Undressed/Untold” event at RNG Gallery will also read excerpts from “Frankenstein,” Flannery O’Connor’s “Good Country People,” and the very adult work of the children’s book author Roald Dahl: his classic horror tale “Skin”) to the films of Peter Greenaway and Matthew Barney, the body-altering performances of Bob Flanagan and Orlan, the organized-civil-disobedience of photographer Spencer Tunick, and the body/text experiments of author Shelley Jackson, who famously oversees an ongoing fiction project for which more than 2,000 people have had single words from her short story tattooed on their skin. The new works for “Undressed/Untold” include those by Omaha authors (the sensual realism of Trilety Wade, the confessional erotica of Karen Bowerman, the poetic discord of Tim Siragusa, and the playful and meditative poetry of Deskins herself) and by authors with Omaha roots (Rachel Shukert and Zachary Shomburg). The new work includes short-short stories and poems that ask you to see familiar tales (“The Emperor’s New Clothes” and “Goodnight, Moon,” to name a few) in unfamiliar ways.
But, of course, beyond all that, there’s the simple fact of the nudity (live!), which, in our neo-puritan culture, we tend to relegate to the dark halls of the peep show. To be naked in a public space is to collide with our sense of the private space, and it’s that marriage of the public and the private that so often gets folks’ panties in a bunch. To unclothe, to allow your body to be read—scars and all—may be the most primitive and powerful expression of all.”
So, if you are in the area, go and enjoy it. I wish i could!!!